For
many people, trying to find the time to sit down and write a thousand words is
a challenge. If you have a demanding job, if you have children, if you travel…
We can each list some very reasonable things that keep us from finding the
time.
Other
times, excuses keep us from writing. Favourite TV shows, the weather is too
nice, or the soul-sucking internet. (*Waves at you as you read this on the
internet.*) We all need some
down-time, right?
So
what turns someone into a writer? The absolute NEED to write. That drive, that
all-encompassing desire to get the idea down, trumps all other activities.
If
you want to know how that energy feels, start an argument with someone online. (Because
someone on the internet is wrong.) You can’t walk away, you have to make your
point, your words have to be seen, you, you… HAVE TO settle this! And then an
hour or two zips by. You get caught up, you have been completely engrossed, and
the laundry is still sitting there. That’s what it feels like.
If
you are someone who has to write and cannot escape it, you already know what
I’m talking about. You get up early in the morning or stay up into the wee
hours, you write at lunch, or while you eat dinner – however you make it
happen, you put your ass in the chair and write like the wind.
And
that’s awesome.
But
you don’t want to spend the next ten years of your life writing crap. Although
it might feel like waves of genius flowing forth from your muse, chances are,
you were not born an award-winning author. You need to keep improving.
That’s
when it gets hard.
I
don’t mean just reading every book on the planet. And not only, “I got another
rejection, but I’ve got a thick skin.” And I don’t mean that writing is a
lonely, self-doubting activity. Those are all hard indeed, but not what I want
to focus on today.
I’ve
said it before and I will keep repeating, “The whole world needs an editor.”
Even the best writers need a second set of eyes. Smart eyes. Not someone who
loves you and adores that you write, eyes. A person who knows how to properly
edit your work is priceless.
But
you know that old saying about teaching a man to fish?
If
you are making errors with comma placements (for example), you have a choice.
You can fix the commas the editor pointed out to you in this one particular manuscript,
or you can go and learn about correct comma usage. You’ve got some problems
with dialogue? Don’t just fix what they circled for you. Go and study, not just
by reading books that have dialogue, but study
how to write effective dialogue. Some people take classes, workshops, or find
lessons online, but you have to find your own training.
And
I’m not going to give them to you. No list of sources, nothing to reference, no
starting point. I don’t know what you need.
They
are your problems to fix. Not your editor’s. The editor is there to tell you
which fish you need, they’re not going to catch it for you. If you’re lucky,
they might point you in the right direction. But the really hard work? That’s
all yours.
So
“writing” isn’t always about word count and your fingers flying across the
keyboard. It’s not only coming up with the best ideas to ever rock the world. Sometimes
it’s about soaking in a whole new lesson that will improve your work, and make
your future projects more successful.